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L’ANATOMIE DE LA MARIEE



This exhibition was shown in Paris in 1994. The works consist of large-scale photocopies of the frontispage of Giorgio Vasari’s 16th century anatomy, where a female criminal is publicly anatomized in front of an all-male audience. Each of the works are altered with paint and drawing materials, in front of which is suspended a thin braised metal grid reflecting the main lines taken from Vasari’s image. The works were lit in such a way as to produce shadows which would confuse the space between the drawn, the painted, the real.

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